
A beggar woman in Bangladesh.
Taken by Aniz Fatema.
From treklens.com - a social documentary photography website.
Formal elements.
Focus
Wide Depth of field:
Everything is in focus. Makes us aware of not only the old lady but also her physical surroundings and conditions
Sharp focus:
Depicts a feeling of harshness and the truth about her reality.
Grain
Grainy-ness is absent, yet still portrays the rustic feel because the surrounding illustrates the realism of her situation.
Exudes honesty as well. Not composed.
Framing
Long shot:
To show a bit of her surroundings (instead of just a close-up shot).
Photographer wants viewers to realise that she and her surrounding are synonymous with each other
More meaning and understanding can be derived from a long shot photograph.
Full Face Shot:
Frontal view, Honesty in her expression, Nothing to hide.
Camera angle
Camera looking down (head is tilted slightly upwards, at first glance, seems like straight shot)
Shows a sense of vulnerability
Sadness in eyes, seems to be “crying” out for help
Colour
Dull
Lack of vibrancy depicts even more so the rustic-ness
Perhaps no photoshop-ing done to preserve its realistic feel
Composition
Leading lines
Her bamboo stick leads viewers eyes from top down.
From top (expression on face) to feet.
Symmetry
Lady is somewhat in the centre (focal point)
Balance
Different elements helps to balance the composition
More pleasing to the eye: no intention of create a disturbing feel.
How a viewer would decode the photograph?
Signs
The environment
Iconic: old, dusty, rustic place. Under-developed.
Symbolic: a place of hardship.
The lady
Iconic: sad, wrinkled face
Symbolic: been through hardships in life
Overall
Indexical: She is a ‘product’/ outcome of the harsh realities of her society.
How we might look at the image.
Physiologically (optically):
Cassadic optics.
The focus is on her face, especially her expression.
We also take note of her surroundings but keep getting drawn back to her expression.
Ethnographically:
Indian: sari, her skin colour, words on the sack looks like Sanskrit
Psychologically:
Lines on her face and ageing skin looks like she had a hard life.
No poverty-stricken, but perhaps has works hard to get by.
Other sources.
Most of the images are taken from the top - to show weakness and vulnerability of the subject, or front view - to show equality. Steph and i did not see any picture under the same category with the camera angle looking up.
I would give me and stephanie 10/10 for this assignment our interpretation is close to the way the target audience's and photographer's. The class also seem to agree with the way we interpreted the image.
As for my peers, i think Paul and Meimei's analysis is interesting with the underlying messages. They deserve 10/10 too.






